Showing posts with label art and craft. Show all posts
Showing posts with label art and craft. Show all posts

Monday, 1 October 2018

Roll out the barrel (s)


On a recent visit to Speyside we called by a cooperage serving the many whisky distilleries in the area.  There were some nice images to photograph, whether quite plain.......







...or full of vibrant colour.  It's possible, with a little knowledge, to guess the origin of some of these barrels - Glen Grant, Glenlivet, The Macallan and many more from Speyside, as well as examples from far and wide such as Islay's Laphroaig.






I liked this image with the end of a huge stack of barrels lit by sunshine with the backdrop of a storm-black rain cloud.





There are so may barrels here and in other cooperages they seem almost uncountable - and these are just the ones not in curent use; there will be many times more maturing in bonded warehouses throughout Scotland.  This seemingly endless supply is a good thing.....










.......or for enjoying the products of the barrels.  Looks like we'll not be running out of the raw materials any time soon!

Friday, 4 December 2015

The tradition, art and magic of a malt whisky


Our guide for the distillery tour was Andrew, who was very knowledgeable and informative - we've been on tours of other distilleries but this was by far the best. What's more we were the only visitors and it felt very much like a personal VIP visit!

As this blog features the occasional enjoyment of a dram, I thought it might be fun to feature some ofthe tradition, art and magic of malt whisky.......

Glen Grant was founded in 1840 when two brothers, James and John Grant, applied for a distilling licence.  They were no newcomers to distilling whisky by all accounts, having been involved in the production and distribution of illicit spirit for some years.  When the tax on whisky was reduced they like others sought licences and turned to legitimate distilling, using the same distribution networks which had served them so well.  Among other achievements, the Grants were involved in bringing steam railways to Speyside which further improved the infrastructure of the area.

By 1872 the founding brothers had died and the distillery was owned by a nephew, James "The Major" Grant.  A real innovator, he introduced new ideas to the distillery (it was the first to have electric light) and introduced the tall slender stills and purifiers which gave Glen Grant whisky the fresh, light character which still defines the house style.

In  1931 "The Major" was succeeded by his grandson Douglas Mackessack who further developed the business.  Notably, he supplied an Italian whisky buyer with 50 cases of Glen Grant to sell in Italy when no other distiller would; the result was that Glen Grant became, and remains, by far the best selling malt whisky in Italy.

During the period from 1972 to 2006 Glen Grant was owned by a variety of big players from the world of whisky distilling and then in turn by multinational drinks companies, reflecting the surge in popularity of Scotch malt whisky.  In 2006 the Italian connection reached a nice conclusion when Glen Grant was acquired by the Campari group.  It remains their only brand of whisky and as such has benefited from a benign ownership with respect for tradition but an eye for the future.

Having immersed ourselves in the history of the brand we moved into the distillery proper to immerse ourselves in the magical sights, sounds and aromas of whisky production.....





The primary ingredients are malted barley and pure water from the stream we'd walked along.  All the barley used for Glen Grant is all sourced from the northeast of Scotland and is first "malted" - partially germinated - in order to release fermentable sugars.  This is done by soaking the barley in water for a few days until it begins to sprout then the sprouting is arrested by drying the grains using heat.

The malted barley is then milled to small size grains called "grist" which are mixed with warm water in a large "mash tun".  The liquid produced is called "wort", the residual grains are either fed to cattle or, in a modern twist, turned over to biomass power generation.





The wort is fed into huge fermentation vessels called "washbacks" and has yeast added to it - starting the fermentation process and the conversion of sugar to alcohol, which takes about 2-4 days.





The washbacks used by Glen Grant are very traditional and are made of Oregon Pine, which they feel is a better material than the stainless steel used at some distilleries.  They are really huge, this image is showing just the very tops; each holds around 90,000 litres of fluid and is two storeys high.






The now alcoholic liquid is called "beer" and is typically around 7% alcohol - the liquid is constantly agitated by revolving blades and the fermentation process is quite energetic, producing a bubbling, heaving froth at the top of the washbacks.  If this part of the process is where the magic of whisky distilling takes places, then the next stage could almost be considered as alchemy .....






In the Still House are four pairs of copper stills consisting of four "wash stills" and four "spirit stills", giving four distillation sets.  The first stage of distillation takes place in the larger wash stills where the fully fermented wash is carefully boiled by passing steam through stainless steel pans within the still.  Alcohol vapours rise to the top of the still and are cooled before the process is repeated in the smaller spirit still (this is the double distillation process).  The alcohol is cooled in condensers on the outside of the Still House wall, cooled by water from the Spey which is diverted then returned to the river.  The residue from this part of the process is collected and used in the production of farm feed.





What sets Glen Grant apart is the addition of a Spirit Purifier between the wash and spirit stills. These were introduced by James "The Major" Grant and allow only the purest vapour to pass from the stills to the condensers, ensuring a light but complex spirit.





The elegant stills at Glen Grant are particularly tall and slender, a shape which gives finer, lighter spirits whereas shorter, fatter stills will produce a fuller and richer spirit. Each is polished and beautifully lacquered as is all the pipework.  The liquid produced from the wash still is known as "low wines", when passed through the purifier and spirit still the resulting condensed spirit is sent across the Still House to spirit "safes" where it arrives in three distinct phases.





Alcohols from the beginning of each distillation are harsh and high in alcoholic percentage, these are technically called "foreshots" but are normally referred to as the "head".  Alcohols from the end of each distillation are weak in alcoholic percentage but pungent, these are technically called "feints" but usually referred to as the "tail".

It is only the alcohol from the middle part of the distillation - known as the "heart" and of about 65-70% alcohol which is skillfully drawn off by the Stillman and collected through the spirit safes.  The head and tail are then combined and passed back to be used with the next distillation run.

So far there's been tradition, magic and a dash of alchemy in the production of the spirit, and what follows takes us into the realms of the mystical........





The spirit is poured into oak casks for storage and maturation. It must be stored in oak, in Scotland for a minimum of three years in order to be legally termed Scotch Whisky.  To be termed a "malt" whisky it must be made only from malted barley and to be termed "single" it must be produced from a single distillery.

The barrels used are of varying sizes and types - Glen Grant use mostly American Oak casks previously used for a fill of Bourbon, and some Spanish oak casks are also used, these having previously held sherry or port and which can add a nuance and character to particular "expressions" from a distillery.  Bourbon aficionados can rest easy that their drink has done its most important job of preparing the casks for a much nobler purpose!

The wood on the inside of the casks is surface charred to enable the whisky to access the character of the oak; it's said that although the water, barley and distillation process all help to determine the nature of the finished whisky, as much as half of the character is determined during the maturation period.  Each cask to be used is individually hand-picked by the Distillery Manager - it's that important.

Whilst maturing the casks allow up to 2% of the whisky to evaporate out through the wood each year, the loss is known as "the Angel's share".  There must be some very well-fuelled Angels around the Speyside area!  The spirit lost through the wood is replaced by air, meaning that the location, temperature and humidity of the warehouse also plays a part in the character of the spirit.  This loss also partially explains why more mature whiskies at 18, 20 or more years old are more expensive to buy; aside from the extra time invested in their production there's simply less whisky in the cask to bottle.  There's also more risk to a distillery with older casks in that there's more which can go wrong over the longer maturation.

The whisky emerges from the wood at "cask strength" alcoholic content which is typically 55-60%.  Some bottlings are made at cask strength but the vast majority of production has water added to take the strength down to the standard 40% alcohol content.

Glen Grant, like most distilleries uses casks three times, so by the time they're sold on they are probably over 60 years old.  We have a particular interest in the casks once they've reached the end of their whisky-making lives.......






...as we buy some staves and barrel ends to make handcrafted items such as candle holders.....





...and practical accessories for the enjoyment of the whisky they once held......... :o)





Ownership by Gruppo Campari has brought investment to Glen Grant in the form of an ultra-modern bottling plant.  The distillery is one of the few to bottle their own whisky on site, and this is the largest bottling plant on Speyside.





Meanwhile, the casks work their magic on the whisky within and they'll lie quietly fuelling the Angels whilst developing fine single malt whisky........





...and we'll all have to exercise patience until it comes out of here and the Excisemen have imposed their tax!


We went from the production area back to the Visitor Centre where we were offered two generous tastings - included along with the tour and entrance to the garden in the £5 per person charge.  Unfortunately I had to drive home, so my tasting was the merest touch on the tongue....

The first was The Major's Reserve, a bottling with no age statement but we were told that it's around 8 years old.  Light, fragrantly fruity and ever so slightly dry - it's a very pleasant dram and a perfect expression of the Glen Grant tradition of light but firm whiskies.

The second tasting was of the 10 year old Glen Grant - and it was a revelation.  Flavours and nose of orchard fruits followed by a smooth intensity with no hint of sharpness and a light body, this is an immensely good whisky and is described by one of the most influential whisky guides as "undoubtedly the best 10 year old official distillery bottling I have tasted"

There are other expressions on sale in the distillery shop at older ages and some really exclusive offerings in limited editions.  Our £5 charge also gave us a £2 discount on a bottle....no prizes for guessing which one we went for!

Glen Grant is a wonderful place to visit - the whole ethos of the place shines through in the pride that's taken, the combination of tradition and innovation and friendliness of the staff we met.  If you take only one distillery tour, make it this one.

So there you have it, tradition, art, magic and a touch of the mystical....Slรกinte Mhath!

Friday, 30 October 2015

October's colours

October - it's perhaps the most colourful of months in Scotland and one of the best times to be out and about.




The predominant colour is golden yellow as on these Aspens beside the River Don at Montgarrie near to home, the colour reflecting beautifully onto a deeper stretch of the river.  We saw a Kingfisher here recently, a new arrival on this part of the river - a blue jewel flashing across the gold.






On our regular evening walk in the woods nearby the advance of autumn is really apparent as the sun dips lower, the light gold tinged with soft greens.....






...backed with the warm brown of heather on the hills.  This view is across the River Don towards Bennachie.





The golden colour reached its height on a dull day when the birches and larches along the River Dee at Invercauld were so vibrant that they actually altered the whole quality of light alongside the river.






Not just gold; reds too.  The Rowans (Sorbus accuparia) are aflame with vibrant dark red shades.







Not quite as red as the knitted decorations adorning the bridge over the Clunie Water at Braemar though!  These colourful "wild knitting" creations were a temporary art installation knitted by local people as part of a "wild knitting trail" , and after being on display for a week were sold at a craft event in the village.





The carpets of Beech leaves on the woodland floor are a quintessential part of autumn, kicking through them isn't just for small kids!






The gold theme returns when the Beech leaves are joined by those of Sycamores.  Wet weather intensifies the colours of the leaves which have already fallen.......







......whilst sunshine illuminates those still to fall with beautiful light as the green chlorophyll of summer recedes and allows the hidden shades to emerge.





There's another element to the October palette too - brilliant white.  On the day when clocks in the UK reverted to UTC signalling the end of British Summer Time, the first snow fell on the high ground of Ben Avon, at 1171 metres/3842 feet one of Scotland's highest hills.

During the second half of the month we've seen skeins of geese high overhead, trailing their wild music behind them as they head south from breeding grounds in Svalbard, Greenland and the high Arctic to winter in the comparatively mild climate of the UK.  And this morning, the unmistakable chatter of the first flocks of Fieldfares arriving from Scandinavia.

October is such a great month!

Wednesday, 26 February 2014

Monument to an unknown craftsman


Just beyond Eilean Dubh there is a small stone jetty sloping down into the water. The construction is very robust and solid; it appears to have been associated with an estate "big house".  At high water it made a perfect landing place for a short break prior to crossing back over the Kyles to the Bute shore and then to Rhubodach.



Above the jetty there's a road which has been levelled along the shore and is now in use as a footpath.  Perched next to the road are these beautifully crafted stone blocks.  The larger of the two must weigh well over a tonne and is worked with corners and edges carved back from rough featured faces.

But the smaller of the two blocks is a thing of real craftsmanship.  The faces of this stone have been incised with an intricate inlaid pattern which is both complex and graceful.  The individual inlays are still sharp and clear.



The upper face of the block is equally ornate.  A Scottish saltire is etched across the length of the stone, while the pattern of the vertical faces is repeated to accentuate the saltire.

The craftsmanship on display here is striking and despite the lichens which are slowly colonising the surface the whole is quite beautiful.  Who made this I wonder?  It was presumably a piece commissioned by an estate landowner and meant to demonstrate wealth and status.  Well, it does that, but much more tellingly it demonstrates the skill and artistry of an unknown stonemason.  It has outlived the landowner and the time of the great estates but the skill in the making of this stone lives on